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Alfred Sisley Pont de Moret-sur-Loing oil painting


Pont de Moret-sur-Loing
Painting ID::  74568
Alfred Sisley
Pont de Moret-sur-Loing
c. 1885 Oil on canvas 51 X 63 cm cjr

   
   
     

Alfred Sisley Bridge at Villeneuve-la-Garenne oil painting


Bridge at Villeneuve-la-Garenne
Painting ID::  74648
Alfred Sisley
Bridge at Villeneuve-la-Garenne
1872 Oil on canvas cjr

   
   
     

Alfred Sisley The lane of the Machine by Alfred Sisley in 1873 oil painting


The lane of the Machine by Alfred Sisley in 1873
Painting ID::  74712
Alfred Sisley
The lane of the Machine by Alfred Sisley in 1873
The lane of the Machine by Alfred Sisley in 1873. Photographied in Voisins, city of Louveciennes (Yvelines, France) cjr

   
   
     

Alfred Sisley Ufer der Seine im Herbst oil painting


Ufer der Seine im Herbst
Painting ID::  74729
Alfred Sisley
Ufer der Seine im Herbst
1879 Oil on canvas 46 X 65 cm cjr

   
   
     

Alfred Sisley Frachtkahne bei Saint-Mammes oil painting


Frachtkahne bei Saint-Mammes
Painting ID::  74731
Alfred Sisley
Frachtkahne bei Saint-Mammes
1885 Oil on canvas 54,3 X 64,7 cm cjr

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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